After a few year wait (well, over a decade if you count rumors, I received my Fenix II modular from Holland this week. I'm sure she'll be making a lot of appearances on the blog in the future and I'll give a more complete description soon but for now here is a little ditty I patched up this morning after coffee.
This patch uses only one VCO and has five main elements going into Mixer1 and Mixer2 and is a good example of how I "play" a live patch by mixing the elements up and down in the master stereo out in real time and tweaking.
1. Square Wave into Mixer 1 Input 1 having it's pitch modulated by the internal sequencer
2. Square Wave going into Mixer 1 Input 2. The wave is being fed into the wave multiplier which is being controlled by the same clock (LFO4) as the sequencer
3. Sawtooth wave into Mixer 1 Input 3. This waveform is being fed into VCF2 which is being modulated by a sine wave from LFO2. You can hear it self oscillating more as the track builds.
4. Digital noise going into Mixer 2, Input 1. The CV of the digital noise is being modulated by the sequencer out as well.
5. Analog Noise being fed into Mixer 2, Input 2.
The basic structure starts with me mixing in the analog noise and then digital noise. I bring the Wave Multiplied Square up in the mix and shortly mix down the noise and move the Square wave sequence to the forefront. Then I add in the Filtered sawtooth and tweak the filter, digital noise CV and levels until we work our way back down and abruptly end on the noise beat. All of that mess is then fed into the internal phaser with the + and - outputs going into the dual left and right outputs.
There is no additional reverb, compression, or any panning or volume change in the mix. This is 100% live as recorded directly from the Fenix to WAV.